Wake the neighbors! Sound the alarm! The streets are going to be set on fire with the debut album by hip hop duo R. City, on Konlive/Geffen Records. With R. City’s work behind the scenes, penning songs for Akon, Usher, Mario, Sean Kingston and Rodney Jerkins, to Nicole Scherzinger and the Pussycat Dolls, Jesse McCartney, Macy Gray, Ashlee Simpson and Enrique Iglesias, they’ve been able to produce an inferno of anticipation amongst the industry and the streets for the release of their album “Wake the Neighbors.” \r \r Hailing from St. Thomas, Virgin Islands, R. City (comprised of brothers Theron a/k/a Da Spokesman and Timothy a/k/a Don’t Talk Much) have created a sound that blends Caribbean twangs of consciousness and struggles of street and island life coupled with hip-hop/pop appeal. They realized their immense talent and started honing their craft at an early age. By the time they reached 10 and 11 they were winning local talent shows and used their prize money to pay the family’s household bills. Plain and simple, R. City was born to be on stage. “We definitely are first and foremost artists more than anything else,” states Timothy. “We were getting a lot of love from the people in the streets from us performing.” \r \r Fast forward to their late teens; by the time they graduated high school; they had a big choice to make. Their parents said “continue in school and we will find a way to help you, continue music and you will need to fend for yourselves and become men.” They obviously chose the latter and came to the U.S. to test their potential for “making it.” “We’ve always been writers for ourselves. Then me and my brother were like, let’s try to write for other people”, states Timothy. Landing in Atlanta after a short stint in Miami, they began penning songs for other artists and placed their first song “The Rain” for Akon via his DJ, Benny D. In a short time, they’ve amassed a staggering number of tunes for renowned artists. “We built a lot of relationships, got cool with a lot of people, networked and found ourselves in a lot of doors we never thought we were going to enter. When we started doing the writing thing, everybody started messing with us,” says Timothy.