by Linda SeidaBuxom actress Mae West employed clever double-entendres throughout the course of her long career on stage and screen. More than once she managed to squeeze something suggestive past the eagle eyes and ears of her rigid censors, and her public came to adore her for it. In fact she boasted of the feat, saying, I believe in censorship. I made a fortune out of it. Similarly, the titles of Wests recordings veered toward the suggestive and risqué. The Rosetta Records release Mae West Sings Sultry Songs includes such numbers as A Guy That Takes His Time, Easy Rider, and Pardon Me for Loving & Running. The album Im No Angel from Jasmine Records, which was named for one of her early films, features the title song and I Want You, I Need You. The Fabulous Mae West from MCA Records offers Im in the Mood for Love and All of Me. The Minds Eye issued a cassette featuring such classic West numbers as Come Up and See Me Sometime, as well as Slow Down. Recordings are also available of Wests radio and television appearances. Mark 56 Records offers recordings of the actress on a 1937 radio broadcast with Edgar Bergen and his puppet, Charlie McCarthy. Other broadcasts include a take from her guest appearance in the 30s on The Rudy Vallee Show and two of her Christmas broadcasts from the early 70s for The American Forces Radio Service. Recordings of her television work span the 1940s to the 1960s and include guest appearances on shows hosted by Perry Como, Red Skelton, and Dean Martin. The actress was born Mary Jane West in Brooklyn, NY, in 1893, although some sources say she was born a year earlier. By the age of five she was working the boards in vaudeville. By her early teens her performances had earned her the moniker of Baby Vamp. She eventually landed on Broadway in Diamond Lil, but not before offending the moral code of the 1920s and earning a short stop in jail for one of the plays she had written, which she titled Sex. Her fortunes turned around when she went to Hollywood. Outrageous remarks packed with sexual innuendo brought fame and adulation to the five-foot blonde actress with an exaggerated hourglass figure, as well as an Oscar nomination in 1933 for She Done Him Wrong, her second movie. Evidently another of Wests oft-quoted remarks was accurate. She said, When Im good, Im very good, but when Im bad Im better. A look at her salary during the early Hollywood years backs up this claim. In 1932, in the midst of the Depression, she was paid 50,000 dollars to make one film. In 1959 the actress published Goodness Had Nothing to Do With It, her autobiography. She remained active almost until the end, making her final film, Sextette, just two years prior to her passing. She died in Los Angeles, CA, in 1980, after experiencing a number of strokes. During her life she claimed that she had never taken a husband, and she is given credit for saying, Marriage is a great institution, but Im not ready for an institution. However, records indicate that she married a man named Frank Wallace.