Blues on the Bayou

Blues on the Bayou

打开一介布鲁斯大师B.B.King辉煌过往纪事:获得8次格莱美奖最高殊荣,2首R&B冠军曲-1951‘s“Three O‘clock Blues”、1952’s“You Don’t Know Me”,4首R&B亚军曲-1953‘s“Please Love Me” 、1954’s“You Upset Me Baby”、1960‘s“Sweet Sixteen,Part I”、1966’s“Don‘t Answer The Door,Part I”,及1970 入主流行榜Top15畅销曲“The Thrill Is Gone”。平均每年持续举行275场演出的B.B.King,每场concert必受到歌迷指名要听“Payin‘ The Cost To Be The Boss ”、“Caldonia” 、“How Blue Can You Get” 、“Everyday I Have The Blues”及“ Why I Sing The Blues“等曲,足迹踏遍各地爵士Clubs、大型音乐厅、高级饭店、摇滚圣地、豪华剧场。横跨乐坛50至90年代,B.B.King光荣地走过每个时期并留下日久弥新的代表作,不被音乐世代风起云涌的潮流所淘汰,甚至一马当先成为业界的主导核心。   吉他技法师承Lonnie Johnson,Blind Lemon Jefferson,T-bone Walker等传奇前辈,融会贯通他们各自的特质精髓,并且发展出自己个人的风格。B.B.King独创的左手颤音技法更是摇滚吉他手必下苦功学习,近期摇滚界吉他弹奏佼佼者包括:Jimi Hendrix、Eric Clapton、George Harrison及Jeff Beck等人皆视B.B.King为其典范。打通传统Jazz、Blue、Swing、Mainstream Pop、Jump各自血脉,使之交融成独特超然的乐音,吉他弹奏如歌如泣彷若人声般流露丰沛感情,When I sing , I play in my mind ; the minute I stop singing, I start to sing by playing Lucille,B.B.King已达到人声与吉他合而为一的境界。 从出道至今在乐坛发行过50张专辑,96年B.B.King与乐坛好友们Eric Clapton、The Rolling Stones、Van Morrison、Jeff Beck、Heavy D等共同完成‘Deuces Wild’专辑,在全球获得全面性的商业成功,创下百万销售佳绩。98年高龄73岁的B.B.King为长期爱戴他的乐迷带来全新录音大碟‘Blues On The Bayou’,由B.B.King与长期搭档Sidney A. Seidenberg共同制作,15首全新作品展现他宽阔的音乐观及圆融丰硕的内涵,为B.B.King堂堂迈入第五十个年头骄傲的成果发表。 Blues on the Bayou is the thirty sixth studio album by B. B. King, released in 1998. In the CD liner notes, B.B. King writes: "Of the many records Lucille and I have had the pleasure of recording over the years, this one is especially close to my heart. It's also one of the most relaxed and, for me, satisfying [...] No one was telling us what to do. No one needed to tell us what to do." He adds that he considers the band playing on this album as his best ever and that he got to the studio with the idea of keeping the music simple ("I've felt the urge to go back to basics."). With this state of mind, the record was cut in four days: "Found some old B. B. King songs. Wrote some new ones. [...] All live, all real. No overdubs, no high-tech tricks. Just basic blues." The album won the 2000 Grammy Award for Best Traditional Blues Album.

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